Dylan Neely lives in New York’s Hudson Valley. His film scores include 18 To Party and If You Can Ever Get Back, while his on-camera music arrangements have been featured on Mozart in the Jungle, The Undoing, The First Lady, and Hunters. He received a Guild of Music Supervisors Awards nomination for his work on The Farewell (Lulu Wang). His credits as a music editor include Knock at the Cabin (M. Night Shyamalan), Babes (Pamela Adlon), Menudo: Forever Young (Angel Manuel Soto), Castle for Christmas (Mary Lambert), and Stutz (Jonah Hill).

As a composer-performer, Dylan has presented work at spaces including The Museum of the Moving Image, Symphony Space, Lincoln Center, The Stone, MoMA PS1, and La MaMa, and written music for theater and opera projects performed at The Drawing Center, The Tank, Columbia University, LPAC and The Watermill Center. Recent performances with the audiovisual collaboration Fan Letters feature custom-designed light-activated solar synthesizers.

B.A. Bard College at Simon’s Rock; M.F.A. Mills College; additional studies at Juilliard and at the Belgrade Faculty of Music on a Fulbright Fellowship.

IATSE Local 700; ASCAP; Society of Composers and Lyricists